You can test it so as to get to know how it works. The process is simple: take each note, have a look at your piano keyboard, find the note located a whole-tone higher, and you're done! (for more details about whole-tone, semi-tone, have a look at this post ) What happens if we want to write it a whole-tone higher ? Let’s have another look at this simple melody: Of course, if all notes belong to the F major scale, and the melody begins and ends on F : we say that this piece is in the key of F major. In the Key of.Īll notes belong to the C major scale, the melody begins and ends on C: we say that this piece is in the key of C.įor the moment, remember this simple rule : If all notes belong to the C major scale AND the melody begins and ends on C, THEN the melody is in the key of C major. I'm going to talk about major key signatures, but in fact, each key signature corresponds to a major scale AND a minor scale. We are going to rationalise the use of these symbols! As you can see, it involves a lot of ♯ and ♭. In this previous post we saw how to construct major scales. I divided this topic in 4 articles, to make it easear to understand.įirst of all, I strongly encourage you to play each melody, since music theory is all about reading AND understanding AND playing AND hearing!
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |